Defines modernity in post war fiction
The recent celebrations around the 100 year anniversary of Muriel Spark's birth have done much to shine a light on the Spark canon. As one of the most original voices to emerge from mid-century Britain Spark's work can often be overlooked beyond the career defining The Prime of Miss Jean Brodie (1961).
The Comforters (1957) was Spark's first novel published to glowing reviews from contemporary giants Evelyn Waugh and Graham Greene no less. Waugh's quote 'brilliantly original and fascinating' is still included in reprints today. So what is it about The Comforters that convinced Spark to take up full time writing?
At its best The Comforters defines modernity in post-war fiction with its concern for the nature and authenticity of the 'author'. Spark's protagonist Caroline Rose is a writer who begins to hear voices, and then the tapping of a typewriter, leading her to believe that she is actually living inside a novel. Spark was interested in hallucination, having herself experienced the side affects of diet drug Dexedrine, but its the existential novel within a novel idea that really works in The Comforters and is picked up expertly in the new introduction by fellow Scot Ali Smith.
Elsewhere in the novel are themes that haven't aged quite as well. Spark's own interest in Catholicism comes through strongly in the story which will leave some readers disinterested.
All in all The Comforters is an interesting read from a writer not afraid to rip up the rule book. Perfect to read as an introduction to Muriel Spark's work before diving in to The Ballad of Peckham Rye (1960) and The Prime of Miss Jean Brodie.
The Comforters by Muriel Spark published by Virago, 208 pages
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